:: Wednesday, November 29, 2006 ::

Read Week Forty Eight - myspace.com/bullette - Expressions

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Read Week Forty Seven - myspace.com/bullette - She's a Woman, You Know What I Mean

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Guardian Unlimited's "The works of art that matter most" - accepting entries...

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Nicely put Zadie!

Zadie Smith on the practice of reading from an interview on KCRW's Bookworm program:

But the problem with readers, the idea we’re given of reading is that the model of a reader is the person watching a film, or watching television. So the greatest principle is, "I should sit here and I should be entertained." And the more classical model, which has been completely taken away, is the idea of a reader as an amateur musician. An amateur musician who sits at the piano, has a piece of music, which is the work, made by somebody they don’t know, who they probably couldn’t comprehend entirely, and they have to use their skills to play this piece of music. The greater the skill, the greater the gift that you give the artist and that the artist gives you. That’s the incredibly unfashionable idea of reading. And yet when you practice reading, and you work at a text, it can only give you what you put into it. It’s an old moral, but it’s completely true.

Link

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Read Week Forty Six - myspace.com/bullette - The Queens

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Nice Cave's New Band - Grinderman

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Read Week Forty Five - myspace.com/bullette - Blk Angls

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What I want for Christmas - Essential Art House: 50 Years of Janus

• ALEXANDER NEVSKY (1938), Sergei Eisenstein • ASHES AND DIAMONDS (1958), Andrzej Wajda • L'AVVENTURA (1960), Michelangelo Antonioni • BALLAD OF A SOLDIER (1959), Grigori Chukhrai • BEAUTY AND THE BEAST (1946), Jean Cocteau • BLACK ORPHEUS (1959), Marcel Camus • BRIEF ENCOUNTER (1945), David Lean • THE FALLEN IDOL (1948), Carol Reed • FIRES ON THE PLAIN (1959), Kon Ichikawa • FISTS IN THE POCKET (1965), Marco Bellocchio • FLOATING WEEDS (1959), Yasujiro Ozu • FORBIDDEN GAMES (1952), René Clement • THE 400 BLOWS (1959), François Truffaut • GRAND ILLUSION (1937), Jean Renoir • HÄXAN (1922), Benjamin Christensen • IKIRU (1952), Akira Kurosawa • THE IMPORTANCE OF BEING EARNEST (1952), Anthony Asquith • IVAN THE TERRIBLE, PART II (1958), Sergei Eisenstein • LE JOUR SE LÈVE (1939), Marcel Carné • JULES AND JIM (1962), François Truffaut • KIND HEARTS AND CORONETS (1949), Robert Hamer • KNIFE IN THE WATER (1962), Roman Polanski • THE LADY VANISHES (1938), Alfred Hitchcock • THE LIFE AND DEATH OF COLONEL BLIMP (1943), Michael Powell and Emeric Pressburger • LOVES OF A BLONDE (1965), Milos Forman • M (1931), Fritz Lang • M. HULOT'S HOLIDAY (1953), Jacques Tati • MISS JULIE (1951), Alf Sjöberg • PANDORA'S BOX (1929), G.W. Pabst • PÉPÉ LE MOKO (1937), Jean Duvivier • IL POSTO (1961), Ermanno Olmi • PYGMALION (1938), Anthony Asquith • RASHOMON (1950), Akira Kurosawa • RICHARD III (1955), Laurence Olivier • THE RULES OF THE GAME (1939), Jean Renoir • SEVEN SAMURAI (1954), Akira Kurosawa • THE SEVENTH SEAL (1957), Ingmar Bergman • THE SPIRIT OF THE BEEHIVE (1973), Víctor Erice • LA STRADA (1954), Federico Fellini • SUMMERTIME (1955), David Lean • THE THIRD MAN (1949), Carol Reed • THE 39 STEPS (1935), Alfred Hitchcock • UGETSU (1953), Kenji Mizoguchi • UMBERTO D. (1952), Vittorio De Sica • THE VIRGIN SPRING (1960), Ingmar Bergman • VIRIDIANA (1961), Luis Buñuel • THE WAGES OF FEAR (1953), Henri-Georges Clouzot • THE WHITE SHEIK (1952), Federico Fellini • WILD STRAWBERRIES (1957), Ingmar Bergman • THREE DOCUMENTARIES: THE GREAT CHASE (1962), THE LOVE GODDESSES (1965), and PAUL ROBESON: TRIBUTE TO AN ARTIST (1979), Saul J. Turell

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Other Holiday Gift Ideas for Monika:

Any McQueen moto from this auction

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Read Week Forty Four - myspace.com/bullette - Seltzer

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